Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
The swans moved almost imperceptibly across the dark water. Using a long exposure and following their motion, I wanted to let time become visible within the image. The photograph is not about the bird as an isolated subject, but about a fragile transition: ice opening, movement entering stillness, and the animal dissolving into its environment.
Between wildlife photography and painterly abstraction, the image becomes a quiet field of perception — a moment in which presence and disappearance briefly meet.
Limited series of 3 pieces
Photo in a shadow-line frame
80 x 60 cm (external dimensions: 84.4 x 64.4 cm) or
120 x 90 cm (external dimensions: 124 x 94 cm)
Fuji Crystal Archive Glossy
3 mm Dibond
Basis 6 mm, white maple
1 cm white border
Acrylic glass 2 mm, matte
The swans moved almost imperceptibly across the dark water. Using a long exposure and following their motion, I wanted to let time become visible within the image. The photograph is not about the bird as an isolated subject, but about a fragile transition: ice opening, movement entering stillness, and the animal dissolving into its environment.
Between wildlife photography and painterly abstraction, the image becomes a quiet field of perception — a moment in which presence and disappearance briefly meet.
Limited series of 3 pieces
Photo in a shadow-line frame
80 x 60 cm (external dimensions: 84.4 x 64.4 cm) or
120 x 90 cm (external dimensions: 124 x 94 cm)
Fuji Crystal Archive Glossy
3 mm Dibond
Basis 6 mm, white maple
1 cm white border
Acrylic glass 2 mm, matte