The swans moved almost imperceptibly across the dark water. Using a long exposure and following their motion, I wanted to let time become visible within the image. The photograph is not about the bird as an isolated subject, but about a fragile transition: ice opening, movement entering stillness, and the animal dissolving into its environment.

Between wildlife photography and painterly abstraction, the image becomes a quiet field of perception — a moment in which presence and disappearance briefly meet.

Limited series of 3 pieces

Photo in a shadow-line frame

• 80 x 60 cm (external dimensions: 84.4 x 64.4 cm) or
  120 x 90 cm (external dimensions: 124 x 94 cm)

• Fuji Crystal Archive Glossy

• 3 mm Dibond

• Basis 6 mm, white maple

• 1 cm white border

• Acrylic glass 2 mm, matte

Three musk oxen pass through a field of white. Their bodies are almost gone, absorbed by snow, light and distance. Only the heads remain, dark and moving, like traces of warmth inside the Arctic cold. In this moment, the photograph no longer describes the animals from the outside. It follows their passage into abstraction. Fur, breath, movement and landscape merge into a single fragile presence — visible for an instant, already dissolving.


Limited series of 3 pieces

Photo in a shadow-line frame

• 80 x 60 cm (external dimensions: 90.4 x 70.4 cm) or
  120 x 90 cm (external dimensions: 124 x 94 cm)

• 3 mm Dibond

• 3 cm white border

• Basel 15 mm, walnut

• Fuji Crystal Archive Gloss

• Acrylic glass 2 mm, matte